Gordon Conn (ca.1888-1977) was an art collector and supporter of visual art in Toronto. He studied to be a musician and worked as a painter in his youth. Although he did not pursue a career as an artist, he maintained connections with many artists. He was a friend of the painter Kenneth Forbes (1892-1980) who painted Conn’s portrait in 1935. Together with Forbes, Gordon Conn founded the Ontario Institute of Painters devoted to the display of painting based on what Forbes called “traditional” art values. Conn turned over his studio in Wychwood Park in Toronto—The Little Gallery—to a series of one-man shows of its members. Near the end of his life, he donated paintings by artists represented in this collection to public art galleries in Ontario.
Frederick Sproston Challener, painter, was born in Whetstone, England in 1869 and came to Canada in 1870. He studied at the Ontario School of Art, was first exhibited in 1900 at the Royal Canadian Academy and subsequently worked as a newspaper artist. After a tour of Europe and the Middle East in 1898-99, he began working as a muralist and participated in the decoration of the recently completed Toronto City Hall. At the end of the First World War, Challener worked as a painter for the Canadian War Records Department. He made his career chiefly by creating murals for passenger boats, restaurants, hotels—such as Fort Rouillé in the King Edward Hotel,Toronto—office buildings and theatres, including the Royal Alexandra Theatre in Toronto. He also produced easel paintings, watercolours and drawings in a realistic, romantic style. From 1927-1952 he taught at the Ontario College of Art, during which period he made notes and assembled material on Canadian artists. He died in Toronto in 1959. Challener was a member of numerous arts organizations including the Toronto Art Students’ League, Ontario Society of Artists, Royal Canadian Academy, Society of Mural Decorators of Toronto and the Arts and Letters Club of Toronto (founding member, 1908). His work is in the National Gallery of Canada, the Civic Art Gallery, Winnipeg, the Art Gallery of Ontario and numerous public buildings.
James Stanley McLean (1876-1954), Toronto business executive and art collector, was president of Canada Packers and founder of the J.S. McLean Collection of Canadian art. He was born in Clarke Township, Durham County, Ontario. Having graduated from the University of Toronto in 1896, McLean became an employee of the Harris Abattoir Company in Toronto in 1901, rising to become president in the 1920s. He achieved a merger of his firm with three others in 1927, forming Canada Packers Limited — of which he was president until his death. J.S. McLean was a founder-member of the Art Gallery of Toronto and a member of its executive from 1934 until his death. He was a patron of Canadian art himself and started collecting in 1934. In 1939 he began to buy Canadian artworks of art to hang in the offices and other areas of Canada Packers’ plants across the country. The result was a significant collection amassed at a time when such art was not widely sought after. Among the creators of modern art in Canada, he focused especially on the work of A.Y. Jackson, Carl Schaefer, Paraskeva Clark and David Milne. In 1952 the collection was the subject of an exhibition at the National Gallery of Canada, Paintings and Drawings from the Collection of J.S. McLean. Many of the works lent for this exhibition were subsequently donated to the Art Gallery of Ontario. J.S. McLean died in Toronto in 1954.
Helen Sanderson Sewell (1905-2001) was a Toronto artist and teacher. She attended the Ontario College of Art, graduating in 1928 with the Governor General’s Gold Medal. After graduation, she taught for six years with Arthur Lismer at the Art Gallery of Ontario and in Barrie, London, and her Toronto studio. She traveled to northern Ontario to paint with members of the Group of Seven. In 1934 she married William Sewell and interrupted her career to raise four children, including former Toronto mayor John Sewell. She resumed painting when her children were in high school, specializing in portraiture, and was active in the Toronto Heliconian Club.
Robert Nelson Markle, Canadian artist, writer, educator and musician, was born in Hamilton, Ontario in 1936 and died in Holstein, Ontario in 1990. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
John Faichney is a Canadian dancer, television producer and software analyst born in Montreal in 1952. He graduated from Oberlin College where he developed an interest in choreography and dance improvisation. In May 1976 he performed at the Centre for Experimental Art & Communication (CEAC) in Toronto and was invited to join the Centre’s staff. Amongst other activities, he designed printed matter, maintained exchange programs with other artists’ groups, curated an exhibition of artists’ books and managed distribution of mailings and periodicals (including Strike, a quasi monthly newspaper.) An offshoot of the Kensington Art Association, CEAC moved in 1976 to 86 John Street and then to 15 Duncan Street, offering space for performance art, installations, videos and music. Key members of the group were Amerigo Marras, Suber Corley, Bruce Eves and Ron Gillespie (a.k.a Ron Giii); Marras in particular encouraged connections with European and American artists. The group became increasingly politicized and in 1978 its government funding was rescinded. An attempt at self sufficiency by starting a television production studio at 124 Lisgar Street was not sustainable and CEAC disbanded in 1980. John Faichney lives in Kitchener, Ontario, and remains involved with Contact Improvisation.
George Blair (1852-1935) was a prominent member of the Burlington, Ontario community as a builder and fruit farmer, an elder and treasurer of Knox Presbyterian Church and a municipal councillor. He also served several terms on both the public and high school boards and was also a member of the Fruit Growers Association. Many of the houses that Blair built are still standing and several of them have plaques from the Burlington Heritage Committee. Blair was born at Harper's Corners, Ontario and as an adult, lived and worked as a carpenter in Kilbride. In 1886, he built a home for his first wife, Lorentia (nee Parkin) and their family at 472 Burlington Avenue, Burlington. In 1893, the now-widowed Blair married Hannah Smith (nee Shepherd), who was also widowed. George Blair feared the effect of city living on their sons and so bought a 50-acre fruit farm on Brant Street. Though rural in character, it was still within the boundaries of the Town of Burlington. Together, the couple raised their several children: George's two sons H. Melvin and Ferguson G., and daughter, Mary Grace, Hannah's two sons, Henry Melvin Smith and Edward (Ted) Shepherd Smith, as well as the couple's sons George Stanley and John Nicoll, and daughters Eva Marion and Mabel Beatrice.
Henry A. Regier (1930 - ) was a professor of zoology and environmental studies at the University of Toronto until his retirement in 1995. Regier received his BA from Queen's University, a professional teaching certificate from the University of Toronto, and his PhD from Cornell University. In 1966 he joined the University of Toronto. Henry Regier's research interests include the Great Lakes, human use of aquatic systems, world population, and climate change. Regier served as a Canadian commissioner on the Great Lakes Fishery Commission, from 1980 to 1989. From 1987 to 1990 he served on the Great Lakes Science Advisory Board of the International Joint Commission of Canada and the USA. Regier has received many awards, including the Conservation Award of the Federation of Ontario Naturalists in 1980, the Centenary Medal by the Royal Society of Canada in 1986, the Award of Excellence of the American Fisheries Society in 1992, and the Lifetime Achievement Award from the International Association of Great Lakes Research in 2005.
Len Gertler (1923-2005) was a planner, administrator, author, and university professor, whose areas of study included planning, and public policy. Gertler was born in Montreal, Quebec, and was educated at Queen's University, McGill University, and the University of Toronto. Throughout his career he held a wide variety of positions. Len Gertler served as Director of the Edmonton District Planning Commission, and also held the position of Deputy Commissioner of Planning for the City of Toronto. In 1966 he became a professor at the University of Waterloo, establishing a new program in Urban and Regional Planning. He was also involved in establishing the University of Waterloo's Faculty of Environmental Studies, and became the first Director of the School of Planning. Gertler was the coordinator and author of the Niagara Escarpment Study in 1968. His international work included assignments in Indonesia, Jamaica, India, Japan, and Uzbekistan. Gertler was a member and Vice-Chair of the Ontario Environmental Assessment Board, from 1990-2001. The Canadian Institute of Planners' Award for Planning Excellence in 2001 was named in honour of Len Gertler.