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Nellie Olive Curnoe (née Porter, 1909-1999) was the mother of Canadian artist Greg Curnoe (1936-1992). She married Gordon Charles Curnoe (1909-1985) in 193- and had three children: Greg, Glen (b. 1939) and Lynda (b. 1943). For biographical information on Greg Curnoe, see the finding aid to the Greg Curnoe fonds at this library, or Judith Rodger’s chronology in the 2001 Art Gallery of Ontario catalogue Greg Curnoe: Life & Stuff.

Judith Rodger is a freelance curator and art historian based in London, Ontario. Rodger was chief curator of the London Regional Art & Historical Museum, and was personally acquainted with Greg Curnoe. She contributed the chronology and bibliography to the catalogue of the exhibition Greg Curnoe: Life and Stuff (Toronto: Art Gallery of Ontario, 2000). For a biographical sketch of Greg Curnoe, please see Greg Curnoe fonds.

Anna Belle Wing Kindlund (later Mrs. Alois Trnka), 1876-1922, was an artist born in Buffalo, New York. She studied with W. Hitchcock in Buffalo, and G. Bridgman in New York. She was a member of the Buffalo Society of Artists and the New York Society of Craftsmen, and is listed in Who Was Who in American Art as a painter and miniaturist.

Robert William Geary (fl. 1913-1933) lived in Niagara Falls, Ontario. According to a note in the inventory, in 1913 the Geary family lived at 33 Barker Street. Geary was the third president of the Lundy’s Lane Historical Society (1908 1932), and was the author of Historical sketches : a memorial of the hundredth anniversary of the War of 1812-14, 1912. He died in June, 1933.

Kathleen Jean Munn (1887-1974) was a modernist Canadian painter active in Toronto between the World Wars. She was the youngest of six children born to a Toronto jeweler who died when she was four (of an infection caused by the impact from a champagne cork) leaving her mother to manage the family business. Her talent for drawing was encouraged by her maternal grandmother, an accomplished amateur painter, and she was sent to study at the Westbourne School with F. McGillivray Knowles from 1904 to 1907. Knowles encouraged personal expression and an understanding of the principles of art and Munn thrived in this environment. In 1909 she began to exhibit Barbizon inspired landscapes at the OSA, RCA and CNE exhibitions, moving through periods influenced by Whistler, Corot, Puvis de Chavannes and the post-impressionists. About 1912 Munn first traveled to New York to study at the Art Student’s League and in 1914 she was awarded first prize at the Summer School in Woodstock NY. In 1915-16 she began a series of landscapes in which she showed a mastery of modernist techniques. Her association with the Art Student’s League, whose teachers were early proponents of modernism, was an important influence. Her notebooks show that she was reading extensively and broadly in the areas of literature, philosophy and aesthetics. She studied Jay Hambridge’s mathematical principles, the concept of ‘dynamic symmetry’ and Denman Ross’s colour theory. She seems to have been drawn to writers who proposed an underlying system of order and logic as a basis for individual expression. She also toured Britain and the major art centres of continental Europe in 1920, accompanied by her sister, and this trip seems to have encouraged her quest for a means to express religious and spiritual themes in a contemporary fashion. She was ultimately uncomfortable with complete abstraction and believed that art should express a larger purpose, influenced by readings of Blavatsky, Blake, Whitman, and others. The Group of Seven shared her interest in the spiritual content of painting but she was intolerant of their nationalism; of her contemporaries she formed the closest bonds with Bertram Brooker and Lemoine Fitzgerald. Her studio, in a large room overlooking the ravine at the family home at 320 Spadina Avenue, was visited often by Brooker. The household consisted of three unmarried siblings: Will (Jr.), who ran the family business, May, a teacher who ran the household, and Kathleen. During the 1920’s she began to work on a series of paintings that explored Christian themes and she devoted the 1930’s to the subject of the Passion. Two major drawings from this series were purchased by the Art Gallery of Ontario in 1945. She exhibited a number of these drawings with Fitzgerald and Brooker at the Malloney Galleries in Toronto in 1935 but there as little critical response. Discouragement at her lack of critical success, combined with the death of her brother in 1935 and her sister’s increasing disability, led to the end of her artistic output around 1939. Most of her work remained in family hands. The Art Gallery of Toronto exhibited her Passion drawings in several group shows in the 1940’s and the Willistead Art Gallery in Windsor included her Ascension in a 1954 show of drawings. She died twenty years later, in October 1974.

Gilbert Forrest Bagnani (1900-1985) was a professor of ancient history. He was born in Rome to General Ugo Bagnani and Florence Dewar. He served as a Second Lieutenant of artillery towards the end of World War I. After the War he returned to the University of Rome where he received his doctorate. Instead of entering law as he had planned, he turned to the Italian School of Archaeology in Athens to study antiquities. In 1929 Gilbert married Mary Augusta Stewart Houston (1903-1996) of Toronto, daughter of Stewart Houston (editor of "The Financial Post") and Augusta Robinson (daughter of John Beverley Robinson, Lieutenant-Governor of Ontario, and granddaughter of Sir John Beverley Robinson, Chief Justice and Attorney-General of Upper Canada). Gilbert and Stewart had an apartment in Rome and for seven seasons worked, in the Sahara Desert, with the Royal Archaeological Mission to Egypt. In 1937 they fled fascist Italy and purchased a 200 acre farm and house built around 1845 near Port Hope, Ontario and named it "Vogrie". In 1945 Gilbert was invited to teach ancient history at the University of Toronto and in 1958 became a Professor. He retired from the University of Toronto in 1965. The Bagnanis returned to "Vogrie". In the same year, Gilbert was asked to accept a term-appointment at Trent University. He was honoured with a LL.D. by Trent in 1971 and he continued to teach as a Professor of Ancient History until 1975.

Florence Vale, Canadian artist, was born on April 18, 1909 in llford, Essex, England and died on July 23, 2003 in Toronto, Ontario, Canada. Her family immigrated to Toronto two years after her birth, where she grew up with an interest in music. She married artist Albert Franck on June 8, 1929, and together they bought a house on Hazelton Avenue in Toronto which became a centre for artists, writers, musicians, and critics. Florence Vale was the mother of two children, Trudy (who died as an infant) and Anneke.
Florence Vale began to paint with her husband’s paints and brushes in the late 1940’s with no previous artistic training – only what she had learned under the influence of her husband and the artists who visited her home. Her art was influenced by Surrealism, Cubism, Expressionism, and the works of Paul Klee. After her husband’s death in 1973, Florence Vale continued to express her artistic ability with oil paints, collages, and ink, also including her own poetry in some of her works. Many of her works, most prominently after the death of her husband, were erotic, while still viewed by critics as keeping a whimsical, innocent tone. Her art appeared in exhibitions throughout Ontario, with exhibitions also in Quebec and New York, U.S.A. She was associated with the Gadatsy Gallery, Toronto.

Dr. Yehoshua (Shieky) Brownstone is a photographer in London, Ontario. He was formerly a Professor in the Biochemistry Department at the University of Western Ontario.