The Canadian Art Club was a Toronto-based exhibiting society active from 1907 to 1915. The club brought together the work of most of the leading Canadian painters and sculptors of the day, largely from Toronto and Montreal but also from abroad, for its annual exhibitions. It was formed by seceding members of the Ontario Society of Artists who rejected what they perceived as that group’s parochialism and low artistic standards. Among the founding artist members were W.E. Atkinson, Archibald Browne, Franklin Brownell, Edmund Morris, Homer Watson (first president of the club) and Curtis Williamson. The artists were soon supported by a considerable number of members who were not artists (referred to as ‘lay members’ in documents). Part of the club’s purpose was to encourage expatriate Canadian artists, such as J. W. Morrice and Clarence Gagnon, to associate with the club and to exhibit in Canada. It succeeded in affording sympathetic reception in Toronto for prominent Quebec artists of the time, like Marc-Aurèle de Foy Suzor-Coté. After the death in 1913 of Edmund Morris, honorary secretary and chief organizer, the club declined amid disputes between members until it ceased to function in 1915. The Canadian Art Club was formally dissolved about 1933.
The Art Institute of Ontario (AIO) was incorporated in 1951 to circulate art exhibitions, lecturers, and instructional programmes to venues in smaller communities. The idea of an art institute had been discussed informally as early as 1948, and the Art Gallery of Toronto had organized circulating exhibitions. The AIO was formed when a grant from the Ontario Department of Education made it possible to sponsor a travelling exhibition throughout the province. Later grants from the Atkinson Foundation, the Canada Council, and the Province of Ontario Council for the Arts supported AIO’s operations. The AIO was an alliance of several Ontario visual arts institutions and organizations. Its founding members were the Art Gallery of Hamilton, Art Gallery of Toronto (now Art Gallery of Ontario), Hart House (University of Toronto), London Public Library & Art Museum, National Gallery of Canada, Ontario Association of Architects, Ontario Society of Artists, Royal Ontario Museum, Willistead Library and Art Gallery (Windsor) and the Windsor Art Association. The AIO maintained close ties with the Art Gallery of Ontario throughout its existence. It was absorbed into the extension programme of the AGO in 1968.
Factory 77, initially known as Galerie Scollard, was a Toronto artist-run gallery focused on art education which operated between 1976 and 1982. Galerie Scollard was established in Toronto in 1976 as a non- profit charitable organization by Dushka Arezina, a Yugoslavian emigrée, artist, and art historian. It was coined a “centre for education in vision” and was located on Scollard Street in Toronto. The gallery was operated by a Board of Directors of which Harvey Cowan was the chairperson and Kenneth Lund the president. Dushka Arezina sat on the Board of Directors as treasurer and was also the gallery’s executive director. Galerie Scollard ceased opera tions under that name in 1978 and was re-established as Factory 77 in November 1978 upon moving into a former carpet factory at 77 Mowat Ave. in Toronto’s Parkdale area. Factory 77’s operations were overseen by Arezina and a Board of Directors chaired by Lund, a Toronto lawyer. It aimed to present a broad view of contemporary visual arts by exhibiting established artists together with emerging ones. In the years between 1978 and 1982, the gallery mounted more than 13 exhibitions per year, featuring prominent Canadian artists such as Mary and Christopher Pratt, Lynn Do noghue, and Ken Danby. The gallery also placed significant emphasis on exhibitions by Eastern European artists such as Jiri Ladocha. The gallery aimed to foster student participation through exhibits of student and youth work, and placed significant focus on art education and appreciation outreach programs in elementary and secondary schools in the Toronto area. Due to financial and administrative difficulties, Factory 77 ceased operations permanently in February 1982.
The Ontario Fruit and Vegetable Growers’ Association (OFVGA) was established in 1859 as the Fruit Growers' Association of Ontario, making it one of Ontario and Canada’s oldest farm commodity organizations.
As the voice of Ontario’s fruit, vegetable and greenhouse farmers, the OFVGA is a nationally recognized not-for-profit association that advocates on behalf of Ontario fruit and vegetable farmers and the edible horticulture industry, and represents its members provincially, nationally, and internationally.
The scouting movement was founded in England in 1907 by Robert Baden-Powell, then a lieutenant-general in the British army. Scouting came to Canada in early 1908 with three troops established almost simultaneously in Merrickville and St Catharines ON and Port Morien, NS, and in 1912 the Boy Scout Association was granted a royal charter throughout the Commonwealth by King George V. The Canadian General Council of the Boy Scout Association, incorporated 12 June 1914, was a branch of the Boy Scout Association until 30 October 1946 when it became an independent member of the Boy Scout World Conference. The name was changed to Boy Scouts of Canada and to Scouts Canada in 1976.